Each painting is constructed by beginning with a monochrome underpainting in the complement of the featured subject. Subsequent layers of semi-opaque through to transparent colors follow with up to ten passes before the end result is achieved. The process is in essence a modified version of techniques used by Northern European Masters, Vermeer being of the greatest in influence. There are a number of elements in the visual undertow which function as metaphor or representation of themes such as spirituality, relationships (or lack thereof), reproduction, and, generally speaking, the transitory nature of most stuff. When I go into the studio it is with the intent of imbuing the paintings with a living spirit and to realize something that will connect with the viewer on a sensual if not metaphysical plane.

Words: Dennis Wojtkiewicz